Make Drama: Mad Reroll Guide (Best Character to Get)
Like any other gacha game, Make Drama: MAD asks the same question: should you reroll in Make Drama: MAD? If you want the best starting account and want to get some of the best characters early, then yes. This game has a lot of benefits for rerolling an account.
Especially now, since it was just released on the Global server not long ago, you will get a lot of rewards just by logging in, without doing any tasks or quests.
A few reasons why rerolling in this game is amazingly good:
- It takes less than 5 minutes per reroll. The main reason is that if you registered as a guest account, you can skip the entire tutorial and early story. It basically cuts ten minutes of normal progress
- This game would shower you with a ton of pulls. It’s almost 100 total pulls as of when I wrote this reroll guide.
- Selector Banner. In many other gacha games, they usually give you a Selector Banner during anniversaries or any other big days, but this game gave you this OP banner during its global release. Even better, you can select and resellect up to 3 times. So you can build a full roster of top characters without relying on top-tier luck.
Who Should You Get for Your Starting Team?
You can check this Make Drama: MAD Tier List for the full ranking of all characters in the game, but to keep this guide simple, I will give you three names to aim for.
1. Ines
If I had to name the best and most important character in this game, especially for a reroll account, I think Ines deserves the top spot. I know she’s a healer, but in this game, defensive utility matters more early on because enemies hit you so hard when the level handicap is wide. And Ines is the best to mitigate that problem.
2. Victoria
While Ines is the best defensive utility character in Make Drama: MAD, Victoria is the best in terms of offensive capability. Victoria is the current best DPS in this game at the global release version. She’s the one you can carry on almost every stage to progress your early game. Rerolling for her is very worth it, even though some said DPS is interchangeable since there is an attribute advantage in this game.
3. Charlotte
Charlotte is the highest Attack buffer in this game with good skill cycling. A stat that you really need in the early game considering the lack of investment and upgrades on your characters during this phase. If your goal is to three-star every stage so you don’t need to replay them in the future, then make sure to fix your bottleneck, which is a lack of damage, so you can’t clear in less than 60 seconds.
How to Reroll in Make Drama: MAD?
1. Make sure to log in using a guest account
2. Just skip the story if you only want to reroll.
3. Just follow the steps until you reach the lobby and claim all your free pulls from the Mail and Event.
4. Spend all of your blue tickets on the normal summon first before you touch other banners.
5. Pull what you are lacking on the selector banner. If you got Victoria, then you might need to pull for Ines as your sustain. But if you got Ines or Charlotte, then you better pull Victoria for your DPS.
Should You Pull Isabel in a Reroll Account?
Isabel is definitely a good character considering how impactful her debuff is, and her damage is surprisingly good for a support character. She can be your fourth slot if you already have Ines, Charlotte, and Victoria.
But the problem with Isabel is that she is competing with Yuria as the fourth slot in many cases. Yuria is better if you need more damage, but Isabell is better if you need more sustain, especially because she has a synergy with Ines through her Charm debuff.
So if you think Yuria is enough, then I think it’s better to save your currency for the upcoming future banner.
Reroll Account Example
This is my first try at demonstrating what a reroll account can get when I’m writing this reroll guide for Make Drama: MAD. I basically only need Victoria to complete this account. So yeah, I think it’s very lucky.
So how’s your reroll process? Did you get what you wanted? Let me know in the comments down below.
